AFRO – AMERICAN ART

 

                  

 

 

History of the Afro-American Art

 

THE SPIRAL OF AFRO-AMERICAN ART

 

 

No image  represents the development of Afro-American art better than the spiral, for Afro-American art history begins with a narrow thematic and stylistic conservatism in the late eighteenth-century and moves forward in rising, ever more upward-curving lines. Its growth is profoundly affected by the general condition of the larger black community. Political and cultural questions addressed by blacks in their struggle toward fuller inclusion in American life provided the context for the black artist. It was really hard for an Afro-American artist because he had to ask himself questions like:

 

Am I truly American?

Where is my place in American art?

Have I a separate and even unique heritage?

Who will be my sponsors?

What institutions will accept and exhibit my work?

 

He found himself at a continuous crossroads. This remains a central problem in Afro-American art.

         

Afro-American arts have had several periods of accelerated activity and flowering: the early portraits; international recognition of nineteenth-century landscape and painters of historical, literary and religious subjects; the new self-image and enhanced sense of African heritage explored during the “New Negro” era or “Harlem Renaissance” of the 1920s; and the application of art to political and cultural purposes in the 1960s. Each of these periods built on the accumulated work that preceded it. The result was a tradition that by the 1980s was indistinguishable from the American art mainstream.

 

 

 

 

Afro American Artists

 

From the beginning of Afro-American art to the present there have been many famous painters, one of these is Aaron Douglas:

 

Painter, illustrator, muralist and educator, Aaron Douglas (1899- 1979)  has been called „ the father of black American art”. He was a major figure in the so-called Harlem Renaissance, the flowering of black art and literature in the 1920s. His work draws on traditional African motifs and subjects, and helped to establish their importance in contemporary black culture. Aaron Douglas is known especially for his striking murals in libraries and other public buildings. These murals usually depicted significant events and people in African American history. While his murals were usually two dimensional and almost geometrical, his portraits, such as this one of "Marian Anderson," were traditional and classical.

Marian Anderson

 For more information visit www.ops.org/wal/douglasweb/home.html

 

Another one of the best-known Afro-American artists of the last century is Jacob Lawrence:

 

Jacob Lawrence’ s ( 1917 -          ) work combines realism with the black experience in America. In narrative series of paintings, he has highlighted the lives of outstanding blacks and chronicled contemporary black history.

Lawrence paints in tempera on composition board, using highly stylized figures, vivid primary colours and sharp contrasts. While still in the twenties, he was the first black artist to be honored with a one-man show at the museum of Modern Art in New York City

              

To take a look at Lawrence’s gallery go to www.JacobLawrence.org

Even so there are also painters who are unknown, but even have published pieces of art, like Keith Morrison:

 

 

Keith Morrison was born in Jamaica and studied at the School of the Art Institute of Chicago. After being dean of many universities and institutes he is now dean of the Collage of Creative Arts at San Francisco. Morrison has consulted on art for many agencies, public and private, and has served on a variety of art boards and state agencies in Massachusetts and other US states. He was a cultural-economic consultant for the Harlem Urban Development Corporation, New York, NY.

He has lectured widely across the country and consequently he received a lot of awards like the Ford Foundation Graduate Award for Painting. Therefore he has had many solo exhibitions. Not to forget, his work often has been featured in many publications. Moreover he has curated exhibitions for many institutions, including the Brandywine Workshop, Philadelphia; the University of Chicago's Bergman Gallery and much more galleries. In his carrier he lectured across the USA at different institutes.

 

Red Sea

 

As a painter he dealt with religious subjects or with his African roots in his paintings. Red See and Shadow Africa or Baptism and Altar are just a few examples to mention.

 

Shadow Africa

As a painter he dealt with religious subjects or with his African roots in his paintings. Red See and Shadow Africa or Baptism and Altar are just a few examples to mention.

However Morrison isn’t just a painter, he wrote several essays and articles like the one about the “Father of Afro-America Art” Jacob Lawrence.

 

If you want to have more information about Keith Morrison or take a look at his paintings, visit his homepage www.KeithMorrison.com

There you will also find links and a possibility to contact him.

 

A rather new kind of visual African American Art is Graffiti; if you want to gain information about this topic, click here: Graffiti.

 

Gallery

 

Paintings and sculptures of different Afro - American artists

                               

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


 

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